A message from the gay community lyrics
The 100 Greatest Homosexual Anthems of All Time
How does a song become a gay anthem? Love the LGBTQ+ collective itself, our soundtrack is vast and diverse. We possess recorded our history and contribution to the culture through music, and with this list we acknowledge and retain the forerunners that have made doable the positive changes we’ve seen over the decades. These songs are a testimony to our resilience and excellence.
While it’s unfeasible to define exactly what makes a song “gay,” this list definitely isn’t straight. You will see many overlaps between this list and some of the best property and disco tracks that were blasted in the ballrooms, as well as transformative hits by our beloved big-voiced divas. There are introspective slow jams by queer artists and allies that mirror our struggles with self-acceptance and social rejection. There are Billboard Steaming 100-topping sensations and hidden gems that are forgotten or yet to be discovered; instant classics and songs that grew to be our community’s favorites. Besides the best-known songs that are essential to a list like this, we want to highlight the gay musicians who be entitled to a spotlight, too.
The Muting of Queer Music
Like a game of telephone, as a ballad gains popularity and is shared, then shared, and joint again, it becomes white noise, ever-present in the background of Instagram posts and TikToks, but not listened to. When this phenomenon happens to artists whose music says something — makes a statement, tells a story — the song is robbed of its meaning, its value.
This muting of interpretation and the distortion of an artist’s lyrics is damaging to those artists who describe their queer identities and relationships through their music, music which allows listeners to feel validated and seen.
Going viral on a social media platform like TikTok is supposed to be beneficial for artists, giving them additional exposure and spreading their art online, but as their hooks and choruses get repeated over and over again, the song’s lyrics, in their ubiquity, became muted and misinterpreted.
Popular lgbtq+ musicians — favor Chappell Roan, Frank Ocean, Conan Gray, and others — often frame their life experiences with funky instrumentals and catchy choruses, which then become fun-to-listen-to hits that change into popular on TikTok. But when l
In the 2018 song “Boss Life,” the rapper Offset, part of the multiplatinum-selling rap group Migos, rhymed: “I do not vibe with queers.”
Such casual use of a perceived anti-gay slur is not uncommon in the history of hip-hop. But the discussion that Offset’s lyrics provoked gave an perception to how the genre is evolving.
Addressing claims of homophobia, the rapper wrote on Instagram: “I didn’t write the line about gay people. … I got love for all people.” He continued: “To me [by] ‘queer’ I don’t mean someone who’s gay. I mean lame people who film you, post it and stalk you. Lingo that means strange or odd.”
I own no reason to ask Offset’s sincerity, although other artists have criticized him for the slur.
But as a scholar of hip-hop and social consciousness, what interests me more is that Offset felt the need to reply at all; many of his rap predecessors have not felt the need after similar incidents.
As rap harmony approaches its 50th anniversary in August, I trust it is increasingly embracing challenges to – and debates about – homophobia. That is, hip-hop has evolved to the signal where anti-gay rhetoric invites condemnation from members of the culture. It is still p
Meet Legacy Member Eric Aufdengarten
For Michael Reyes, Y’all Means All is more than just a country song concert—it’s a celebration of the genre’s rich storytelling, inclusivity, and powerful messages.
“Some people who don’t value country music may believe it’s all about superb ol’ boys drinking beer, driving trucks, fishing, trains, Mama, and whiskey,” Michael says. “While there’s some truth to that, region music is so much more. Like pop, it has a rich history of telling stories about injustice, advocating for gender and racial equality, and embracing the freedom to love.”
At its core, Y’all Means All is a tribute to the top of country music—songs about dancing, revenge, standing up for what’s right, and, of course, love.
A Trip Down Memory Lane
Michael’s like for country music runs deep. “For 20 years, starting in the belated 1980s, I primarily listened to country music! The songs in Y’all Means All from that era remind me how they addressed important topics—some of which were VERY controversial when they were released.”
One of the highlights for him? The chance to perform songs by state music legend Garth Brooks. “Although I’ve never met him, Garth Brooks and I
A correction to an earlier version of this story has been appended to the end of the article.
The San Francisco Homosexual Men’s Chorus is receiving significant backlash, mostly from conservatives on social media, after posting a melody video online jokingly detailing how the group will “convert your children.”
The SFGMC song was originally posted as “A Message from the Gay Community.” The outrage from conservative media and such commentators as author Dinesh D’Souza, appears focused on the lyrics about “converting” children and how “we’re coming for your children.”
The song is meant to be taken as “tongue-in-cheek humor,” according to a message posted on the Chorus’s website, sfgmc.org. The song quips that “we’ll convert your children” to “make them tolerant and fair.” But the song and its references to targeting children is anything but comical to some, and has reportedly led to some very disturbing responses.
“As a result, we have seen the user comments on YouTube, Facebook and Instagram become increasingly alarming,” reads the SFMGC statement, which is attributed to esthetic director Dr. Tim Seelig, executive director Chris Verdugo and board chair Glenn DeSandre. “Emails to indi